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Fauxreigner

@Fauxreigner@beehaw.org

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Fauxreigner ,

I think there’s massive untapped demand for things like mini city cars and kei trucks.

Not just that, but even the more middle ground small cars. I'd love to have an EV truck sized the way they were in the 80's/90's (which was more or less comparable to a midsize sedan, just taller). The push to bigger and bigger wheelbases to take advantage of loopholes in the efficiency standards really doesn't need to be reflected in EVs, but it's what all the major automakers are doing.

Greg Rutkowski Was Removed From Stable Diffusion, But AI Artists Brought Him Back - Decrypt (decrypt.co)

Greg Rutkowski, a digital artist known for his surreal style, opposes AI art but his name and style have been frequently used by AI art generators without his consent. In response, Stable Diffusion removed his work from their dataset in version 2.0. However, the community has now created a tool to emulate Rutkowski's style...

Fauxreigner ,

Current-gen AI isn’t just viewing art, it’s storing a digital copy of it on a hard drive.

This is factually untrue. For example, Stable Diffusion models are in the range of 2GB to 8GB, trained on a set of 5.85 billion images. If it was storing the images, that would allow approximately 1 byte for each image, and there are only 256 possibilities for a single byte. Images are downloaded as part of training the model, but they're eventually "destroyed"; the model doesn't contain them at all, and it doesn't need to refer back to them to generate new images.

It's absolutely true that the training process requires downloading and storing images, but the product of training is a model that doesn't contain any of the original images.

None of that is to say that there is absolutely no valid copyright claim, but it seems like either option is pretty bad, long term. AI generated content is going to put a lot of people out of work and result in a lot of money for a few rich people, based off of the work of others who aren't getting a cut. That's bad.

But the converse, where we say that copyright is maintained even if a work is only stored as weights in a neural network is also pretty bad; you're going to have a very hard time defining that in such a way that it doesn't cover the way humans store information and integrate it to create new art. That's also bad. I'm pretty sure that nobody who creates art wants to have to pay Disney a cut because one time you looked at some images they own.

The best you're likely to do in that situation is say it's ok if a human does it, but not a computer. But that still hits a lot of stumbling blocks around definitions, especially where computers are used to create art constantly. And if we ever hit the point where digital consciousness is possible, that adds a whole host of civil rights issues.

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